Odyssey Co-op Clay Artists

Below is a list of our current ceramic artists – both potters and sculptors.  Feel free to click on underlined names to be taken to each artist’s website.  Thanks for coming!  

Laura Peery

Artist Laura Peery has vivid memories of time spent in her grandmother’s New Orleans dress shop, College Frocks. The colorful fabrics, multiple textures and varied shapes influenced her thinking about how simple forms could be altered and magically transformed.

When Peery first discovered clay it was no surprise she was drawn to its ability to mimic fabric. Teapots, vases and doll-like figures, shaped from thin textured slabs of porcelain, are assembled as if from a dressmaker’s pattern. Color, applied in layers, gives the surfaces a soft, worn patina. Peery alters each piece until it is, to her eye, the right shape, color, and size—a perfect fit.

Laura Peery received an MFA from George Washington University in Washington, DC. Her work has been exhibited across the USA as well as in Taiwan and Canada and is in the permanent collections of several museums, including the Smithsonian American Art Museum in Washington, DC and the Fuller Museum of Craft in Brockton, MA. She is a new member of North Carolina’s Southern Highland Craft Guild.

Reiko Miyagi

Reiko Miyagi

My hope is that my work would be used to help celebrate the daily rituals of life and to make harmonious and beautiful surroundings.  For me handmade and natural objects are integral to every good environment and the celebration of the moments that we live in.

Elaine Lacy

Blackbird and Berries, ceramic tile by Elaine Lacy

Each hand-painted piece is made with the hope that it will delight those with whom it lives and engender an appreciation of the magic of the world in which we live.


Anna Koloseike

Anna Koloseike Sculpture

Until recently, I was a painter in oils, focusing on landscape subjects. As the human figure began to emerge in my work, however, so did the desire to express myself with the physicality of clay.

My subjects explore themes of shared human experience; thus, the human figure- particularly the girl or woman- best expresses my ideas, my own voice. The human form is challenging and compelling, and ultimately expressive. My work invites identification, reflection, questioning and humor. I hope that it encourages my viewers to revisit their own stories, ideas and images.

MaryJane Findley

A passion to express has led me to many creative projects throughout my life. I rediscovered clay after many years; having played with photography, theatre, music, costume design, acting for stage and screen and life modeling.

I experience creativity as a dialogue between medium and artist. My conversations with clay encourage imperfections into form and function. I like to dig into the meat of the moment using slabs and coils and make unexpected structures and vessels. Textures and the essence of trees and the flow of underwater life emerge into form.

Much of my work uses my own version of a copper/verdigris glaze as well as other glazes that accentuate the lumps, bumps and imperfections of the finished surface.

Chiwa Clark

Chiwa Clark

Chiwa works mostly in a white earthenware clay that she paints on with colored clays and then sgraffitoes through to the clay below. She then fires these pieces twice and finishes with a smokey firing leaving traces of hemlock boughs in shadows in the background. She also uses uplifting quotes on some of her pieces. She works as well with figurative sculpture, and functional stoneware tableware.

Ginger Graziano

Ginger Graziano

The first time I put my hands into clay, I knew I
had come home. Working in clay
is meditative, centering and a dialog I engage
in with the spirit inside me, that elusive part that can only be communicated with by listening.
I listen with my hands and my heart, exploring.

Blue Fire MacMahon

Blue Fire MacMahon

My work with clay is a way of honoring and expressing my sacred relationship with Nature and the Mystery. Working with clay, fire and dreams, my artwork is the practice of perceiving the sacred in the moment and honoring that truth, bringing sacred dreams from the mystery into the literal world.


Trish Salmon

Love Eyes. Ceramic sculpture by Trish Salmon

Trish enjoys using references to the natural world in her work. Sometimes the work is figurative, sometimes abstract, sometimes functional.




Libba Tracy

Libba Tracy ceramic sculptureCritters on wheels gives me an opportunity to honor the creatures I love through the expression of clay.



Anne Jerman

Ceramic Birdbath by Anne Jerman

My work is functional and decorative, working at the wheel, handbuilding and often combining the two.  I use two firing techniques:  electric fired oxidation and gas fired raku.   The   work has  a “wabi-sabi” aspect to it.  Wabi-sabi represents a world view of acceptance of transience and imperfection and is derived from Buddhist teachings. Wabi-sabi is light hearted and hopeful and I believe many of my pieces capture that energy.

Diana Gillispie

Diana Gillispie

Lidded Baker in Blue, by Diana GillispieEarthenware relief tiles featuring nature themes + wildly decorated maiolica tiles and pottery for everyday use.



Melanie Dyel

DyelMost of my work is wheel thrown using North Carolina stoneware clay . After it is thrown on the wheel it is then altered for a desired shape, pierced,  then slip trailed with a filigree style. My work is not only influenced by the natural world that surrounds me but ideas that are locked in the recesses of my mind which are unleashed as I create. I diligently strive for quality and durability in my work  for everyday use.

Joanna Carroll

Blue Plate by Joanna Carroll

Throughout my life, I have endeavored to nurture self-love, joyful vitality and creative expression. Clay has given me the opportunity to explore these areas through its texture, color and form.
All of my pieces whether they be sculptural forms or functional pottery offer life-affirming energy intended to celebrate and sooth the human spirit. I am grateful for the opportunity to offer a thing of beauty, healing and sacredness.

Tara Underwood

Ceramic Baskets by Tara Underwood

Tara approaches her work from a place of child-like spontaneity, resulting in pots that are playful and honest. She would like nothing better than for her pots to become fixtures in your home, to facilitate your daily rituals, and perhaps share in your transcendent moments.


Dyann Myers

Tea Caddies by Dyann Myers

Dyann makes functional porcelain pottery which is wheel-thrown and hand-carved. Each piece is highly textured and created to be used and enjoyed.




Julie and Tyrone Larson

Tomato Platter by Julie and Tyrone Larson

Tyrone and I started our pottery in 1966 in Royal Oak, Michigan after Julie finished her Masters Degree in Ceramics at Wayne State University in Detroit. Over our fifty-year career, we have reinvented our work many times. We presently are working with cone 5 porcelain in oxidation firing. Tyrone now does most of the wheel work, while I hand paint the surfaces using my own take on a very old European technique of painting on the surface of a base glaze with a heavy application of the same glaze containing a variety of colorants.

Sheila Lambert


I make art for people to use.  As an Attorney at Law and Potter at Heart, I appreciate that each wheel thrown piece begins with the centering of both mind and clay.

My current series, From the Mountains to the Sea, is created from thrown porcelain.  I add thick slip as texture on each piece, and spray each with six different glazes.  In the resulting blues, greens and grays, I see the spring of our Blue Ridge Mountains and the winter of the Atlantic Ocean off North Carolina’s Outer Banks.

Jenny Mastin

My Fine Art and Craft studies and teaching began over 40 years ago. I find my experience with clay informs my sense of place in the world. It fires my imagination in a way no other material can. The inspiration of my sculptural work stems from my longstanding curiosity and interest in anthropology, art, and nature. I see my work as an exploration on how universal forms, ideas, and cultural traditions evolved as integral components of rituals and have influenced civilizations over time. That exploration continues to lead me toward a deeper understanding of how daily experiences of traditional cultures and ours were, and are, interwoven with our natural environment and spiritual concepts.
    My process is strictly intuitive. The work will begin with the seed of an idea based on a cultural myth, folklore or legend; or on my own observations of daily life and relationships to convey a personal narrative. Each sculpture is hand built by pinching and welding coils and slabs together and fired multiple times; depending on the surface and color I’m trying to achieve. The surfaces may be infused with a compilation of natural and manufactured textures, patterns, and symbols to enhance and convey the story or idea. Color is incorporated predominately through the application of underglazes, oxides, slips, and glazes. Other materials may be added to elaborate and exaggerate the sculptural narrative.

Dot Burnworth

Pottery to me is about connections.

I own a teaching studio so that I can help people connect to one another in a positive, supportive community.  I make pots in hopes that people will use them to relate to their world in a more meaningful way.  When you drink from my mug, I hope it causes you to slow down…to not just gulp down your coffee on your way to work, but rather to be mindful: to fully experience the cup you are holding, and just maybe, that habit of mindfulness will seep into the rest of your experience of your day.

Kate Gardner

Denise Baker

Cat Jarosz